Review of Still Mad: American Women Writers and the Feminist Imag…
Have you ever stumbled upon a book that entirely reshapes your understanding of a topic you thought you knew inside out? That was my experience with Still Mad: American Women Writers and the Feminist Imag…, a sequel to The Madwoman in the Attic, penned by the talented authors Tricia McBride and Janet A. N. Wiggins. My entry into this book was serendipitous—I’ve recently won it in a giveaway (because let’s be honest, I’m a sucker for free books!), and while I hadn’t heard of it before, the discussion of feminist literature promised a thrilling journey.
The premise of Still Mad revolves around the intricate ways feminist literature reflects and influences the Women’s Movement and broader societal politics. Like many of you, I’m always on the lookout for enlightening reads, and this book did not disappoint. It ambitiously covers a wide swath of influential figures—from the established voices like Maya Angelou and Toni Morrison to the lesser-known yet impactful writers such as Claudia Rankine and Maxine Hong Kingston. I found myself not just captivated by the narratives shared but also compelled to add a slew of new titles to my TBR pile. It’s a treasure trove of book recommendations layered within a thoughtful exploration of feminist themes.
What struck me most was how the authors addressed the intersections of race, gender, and sexuality within the feminist framework—something I was initially skeptical about, given the backgrounds of the writers. However, I was pleasantly surprised to see the discussion extend to the often overlooked voices of Black women, Indigenous women, and even the LGBTQ+ community. This inclusivity brings a much-needed depth to the narrative, and it was enlightening to read about how sometimes, other women can unintentionally be barriers to progress. This dialogue felt refreshing and timely, showing how we can all benefit from a more expansive definition of feminism.
In terms of style, McBride and Wiggins’ writing is both accessible and engaging, with a pacing that makes it easy to digest complex ideas without feeling overwhelmed. Their narrative structure effectively intertwines historical context with personal anecdotes that create a connection with readers, making the material feel relevant to today’s discussions. I marked numerous passages that resonated deeply with me, some of which I’m sure I’ll revisit in conversations with friends or in further readings.
In conclusion, I wholeheartedly recommend Still Mad to anyone passionate about feminism, literature, and social change. Whether you identify as a woman, a member of the LGBTQ+ community, or simply someone interested in understanding the nuances of feminist discourse, this book holds something for you. It’s a must-read not simply for its historical significance but for how it illuminates the rich tapestry of voices that continue to shape our understanding of feminism globally. I left this book feeling enriched, inspired, and perhaps a little bit “still mad,” ready to carry the conversation forward.
So, if you care about inclusivity in feminist discourse and want to amplify the voices of women from all walks of life—pick up this book, and you won’t be disappointed!
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